Quick Guide to Generating Proxies in DaVinci Resolve

Everything You Always Wanted to Know About Proxies* (*But Were Afraid to Ask)

Quick Guide to Generating Proxies in DaVinci Resolve

In this video, we take a quick look at how to generate proxies inside DaVinci Resolve. While the process is fairly straightforward, using proxies can significantly improve playback performance and speed up your workflow, whether you’re editing solo or collaborating with a team. The proxies in this video are generated from RED Komodo files, but the workflow applies to any type of media.

Why Use Proxies in DaVinci Resolve?

✅ Smoother Playback & Editing – Proxies reduce the strain on your system, making it easier to edit high-resolution footage without lag.
✅ Optimized for Team Collaboration – Work faster with remote editors or shared storage setups.
✅ Easily Switch Between Proxy & Original Media – Resolve lets you toggle between full-quality and proxy files with a simple setting.
✅ Works with Any Codec & Resolution – Supports 4K, 6K, and 8K footage, making it perfect for RAW workflows.
✅ Great for Komodo & Other High-Resolution Cameras – Helps manage large file sizes while maintaining edit-friendly formats.

Final Thoughts

While proxy generation in DaVinci Resolve is a basic but essential feature, it’s a must-know for any editor working with high-resolution media. If you’re dealing with Komodo files, ProRes, or RAW formats, proxies help you edit smoothly without performance drops.

📽️ Do you use proxies in DaVinci Resolve? What’s your workflow like? Drop your thoughts in the comments!

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